Thomas R. Erdmann

Thomas R. Erdmann

There are few things you can bet on that are absolute certainties. In the music world the top of the list has to include how Kenny G will always confound critics while at the same time delighting his fans. Few instrumental artists, save perhaps Herb Alpert, have understood over long periods of time, and here we're talking decades, exactly what kind of music will respond to the public's heart. G has never had that problem.

1999 Carmine Caruso Jazz Trumpet Competition award winner Thomas Marriott has worked in Maynard Ferguson’s Big Bop Nouveau band, and with artists like Rosemary Clooney, Ritchie Cole, Charlie Hunter, Kenny Kirkland, Joe Locke, The Chico O’Farrill Orchestra, and The Tito Puente Orchestra, among others. Overall Marriott has appeared on over 100 recordings and his previous release, East-West Trumpet Summit, with Ray Vega, was feature on National Public Radio’s “Morning Edition.”Marriott is joined w
Seattle-based trumpeter and composer, Chad McCullough, teams up with Slovakian and currently The Hague-based pianist, Michal Vanoucek, as leaders for a straight-ahead jazz quintet recording of ten original compositions. McCullough, who has earned degrees from the University of Idaho and the University of Washington, has worked in the Disneyland bands, and played piano and trumpet with the Glenn Miller ghost orchestra. Others he has worked with include Wynonna Judd, Claudio Roditi and Michael W
Freedom Suite is both different and unique and traditional and common at the same. Mixing hip-hop elements first done well, in a jazz vein, by Miles Davis on Boo-Dop, expanded in many ways with mixed results by Greg Osby on his 3-D Lifestyles, and made accessible and popish by Quincy Jones, this recording incorporates all of these influences as well as throwing in a few of its own. This music presented here is pop, R&B, hip-hop and jazzy, with the inclusion of straight-up interviews with a
These are tough times for jazz vocalists. Most have recorded all the life out of the American Songbook repertoire, beating standards into an early death. Yet, recordings of standards by jazz singers keep coming out and coming out, and coming out. Thank goodness there are a few vocalists, like Norma Winstone, who have uncompromising taste and are willing to step out on a ledge, usually with great results. Cassandra Wilson has always been one of these kinds of jazz singers. Sure, she’s covere
Probably the last thing anyone would ever expect to come from cutting edge jazz label Origin Records, would be a traditionally-oriented jazz Christmas album, but that is exactly what we get in this release from vocalist Greta Matassa, and bassist and vocalist Clipper Anderson. If there is anything cutting edge about this release, it’s in the fact so many of these Christmas songs are rarities. For example, “The Bell That Couldn’t Jingle” comes from the Tijuana Brass Christmas recording, and “Th
Chicago native, composer and vocalist Paula Prophet studied classical guitar as a child, but credits her musical training to listening to the Motown and classic jazz singers as a child. She credits her work of 20 years as a licensed therapist in providing the inspiration for compositional/lyricist abilities. Her previous work includes time spent performing with Dr. Feelgood and the Interns of Love, on tour throughout the United States and internationally. This short 23-minute demo/introductory
Boston native, New England perennial jazz award winner and vocalist, Paul Broadnax spent time in the service before working as an arranger for the Sabby Lewis Band. Later, he worked with bands led by Tom Kennedy and Buster Daniels. In the 1970s, he worked in the Paul Champ Three before forming a trio with bassist Dave Trefethen and drummer Les Harris, Jr. Broadnax currently works in trio with Dave, now on guitar, and Peter Kontrimas on bass. Among the artists Broadnax has worked with include
Doing something unique with the vibraphone is a tough road to walk, especially if one is a serious musician. Notoriously difficult to play with respect to the instrument’s lack of emotional variety, it’s no surprise its best practitioners have been those of the swing world like Lionel Hampton, Milt Jackson and Terry Gibbs, or more modern ensemble-tied visionaries like Mike Mainieri, Steve Nelson or Stefon Harris. Truly original voices, such as Gary Burton’s, are very rare in this world.

Pianist and composer Adam Bodine, who originally hails from the Chicagoland area, now lives in Colorado. Classically trained, Bodine formed his current trio in 2008 to showcase his developing book of original compositions. Blue Mud is Bodine’s second self-released recording. Here Bodine is joined by Kalin Capra on bass, and Roswell, Georgia native and Berklee College of Music graduate Luke Emig on drums. Eleven original Bodine compositions are featured on this album. If there is one thing un
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