At times, the music might also implicate notions of taking a leisurely drive on a mountainous country road. Whereas, Mevel and associates slowly gravitate towards some sort of apex, only to bring the proceedings down to a faint simmer. On "La vaise naturelle," Mevel uses a bandoneon to open and close a piece, awash with ethereal qualities, probing lines and gentle discourses. Here, Mevel uses his acoustic piano for a sequence of sweeping chord clusters and delicately enacted progressions, amid the rhythm section’s blossoming countercurrents.
They pick up momentum in spots, yet Mevel’s tenderly executed game plan remains consistent throughout. Essentially, the artist sets a mood and rolls with it, even though there are moments when the production drags a bit. On the flip side, Mevel’s onto something here, as he offers a spirited viewpoint to this generally, thought-provoking union of like minded musicians.