The music is pleasant sounding, but not striking. In fact, it feels like music you’ve heard before; it is so indistinct it’s generic. Individual pieces sound relatively alike.
‘Silva! Horn! & Down Pat’ is an upbeat introduction. It features Tom Harrell on fluegelhorn and the band produces a sunny and cohesive prelude.
I had great hopes for ‘Jazz for the Silent Majority.’ It begins with a nice flute solo by Todd Anderson accompanied by gentle piano work by Bill O’Connell. It’s ‘nice’ and ‘gentle,’ and unassuming. Frightening enough, this could satisfyingly enough for people who want their music to be like unobtrusive wallpaper.
‘Dirt Cheap Meets Dirt’ sounds roughly the same. It was difficult to distinguish this from ‘Jazz for the Silent Majority.’ So much for being down and dirty. This is starch white shirt stuff. Mind wandering, I had visions of an underpaid, fawning WalMart employee trying to sell me something because, hey, it’s cheaper than downtown.
‘My Brother The Great!’ is better because of a mournful tenor sax solo by Todd Anderson and later a graceful soprano sax interlude by Glenn Drewes. The tribute seems however to be distracted by presence of an electric piano that just feels inappropriate.
There are moments that the music is beautiful, but often times it slips into banality. The individual players are proficient, but the compositions and arrangements are undistinguished.