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Ten Tunes is a loose and playful recording. The band hints at a multitude of styles; they touch on rock, country and funk, as well as Middle Eastern and Latin music, all within a jazz context. Despite the group's eclectic influences, Ten Songs works well as a cohesive whole. This can be attributed to two reasons. First, the group assembled here—leader Bill Barner on clarinet, Stan Smith on guitar, Roger Hines on bass and Danny Aguiar on drums—establish in the pocket grooves on each track, so that each song has an easy rhythmic appeal. Secondly, though the context of the…
In a day and age when most musical artists become prisoners of stilted genre-defining labels, Argentinean Florencia Ruiz eschews categorization. On her first U.S. release Luz de La Noche (Light of the Night), a studio recording from Adventure Music, Ruiz blends rock, jazz, and MPB elements to forge a truly original sound. Be forewarned: If you were expecting tango nouveau, then you're on the wrong train.
28.11.2011

Luz de La Noche

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 In a day and age when most musical artists become prisoners of stilted genre-defining labels, Argentinean Florencia Ruiz eschews categorization. On her first U.S. release Luz de La Noche (Light of the Night), a studio recording from Adventure Music, Ruiz blends rock, jazz, and MPB elements to forge a truly original sound. Be forewarned: If you were expecting tango nouveau, then you're on the wrong train.
"Give me your tired, your poor,Your huddled masses yearning to breathe free..." Sometimes you just need to get away... Oscar Peñas lives the musical irony having left his native Spain and come to what is fast becoming the epicenter of global jazz in order to compose for From Now On. While indeed a musical melting pot of a variety of cultures and influences, it is an introspective reflection on his own cultural heritage that transforms From Now On into such an intoxicating work.
Often cited as Egypt's Ambassador of Rhythm, all-universe percussionist Hossam Ramzy assembles a true, world-fusion gala, featuring virtuoso percussionists integrating Eastern and Western modalities into an all-inclusive celebration. Framed by alternating personnel on a per-track basis, Ramzy is the central force behind these sessions. Augmented by instrumentalists employing keys, guitars, bass, and electronics amid vocalists and strings performers, venerable drummers Manu Katche (France) and Billy Cobham (USA) lend their wares on select works.
Any duet album featuring Brazilian string masters Yamandu Costa and Hamilton de Holanda is worth taking note, and for enthusiasts who have been following these two consummate instrumentalists, the 2008 São Paulo recording "Live!" on Adventure Music represents another gem to add to the Brazilian duet canon.
If one plays the sitar, pygmy sitar, electric sitar, tanpura, as well as the guitar-zither, piano and Fender Rhodes, a career as a jazz musician is usually not the first thing an audience would expect to hear. That is, however, precisely the direction Jonathan Mayer has embarked on. Mayer is the son of the late Indian composer and Indo-jazz fusion founder John Mayer, so the choice of which instrument he wanted to study is logical. That Jonathan would move towards jazz is not.
Composer, guitarist, harpsichordist, performer on the chumbuz and langspil, as well as music conceptualist Guðmundur Steinn Gunnarsson is from Reykjavik, Iceland. His background includes time studying composition at Mills College with forward thinkers Alvin Curran, Fred Frith and John Bischoff, as well as time studying in Iceland with Atli Ingólfsson and numerous other Icelandic composers. He has also participated in masterclasses with Helmut Lachenmann, Tristan Murail, Clarence Barlow and the music conceptualist/philosopher Pauline Oliveros.
Featuring a stellar cast of Brooklyn-based musicians, G.R.A.S.S.—the Gowanus Reggae and Ska Society—take on the challenge of reworking the classic sounds of Bob Marley and the Wailers. Their self produced release, G.R.A.S.S. on Fire brings an instrumental, jazz leaning perspective to Marley's 1973 major label debut Catch a Fire. Although void of lyrical content, the ensemble, led by electric bassist J.A. Granelli and keyboardist Nate Shaw, captures the essence of Marley's politically charged mes
Unsung is a music collaboration between vocalist Vanessa Fernandez and guitarist Steve Wright. Wright sound have influences of smooth jazz guitar players like George Benson. Vanessa’s voice sounds at time like singer Sade especially on songs like Thinkin it lately, an interesting composition with African percussive rhythms of Steve Wright on guitar and If Only with Bossa influences. In the first track I’ve been there too there is definitely an influence of the rock group The Police and his legen
Prana Trio is actually the duo of vocalist Sunny Kim and multi-percussionist Brian Adler. Their stunningly original CD, “The Singing Image of Fire,” is one of the best things I've heard in the music + poetry realm in many years. I was going to call this a 'spoken word' CD, but that would be really misleading as Kim truly sings the texts – mostly very ancient, and from a variety of sources including Rumi, Hafiz ( a 14th Century Iranian poet), Kabir (a 13th Century north Indian poet and saint), an
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