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Concert Reviews (849)

Nothing beats experiencing live jazz music as its being created right in front of you.  Stop here for reviews of your favorite jazz artists live and in concert.

Peter White and Mindi Abair rocked St. Louis on December 4, 2003 at the Pageant. Kicking the evening off with a vibrant "O Tannenbaum," White (guitar) and Abair (sax) blended together in festive layers. Before the evening was through, this pair would have concertgoers dancing in the aisles with pure holiday delight. White had previously toured with Dave Koz's A Smooth Jazz Christmas Tour. However, he sought to provide something a bit more personal. "We are a much smaller sh
KHJZ 95.7 The Wave, the city's only commercial smooth jazz radio station sponsored "A Peter White Christmas" Friday night. As one of their major concert events of the year, KHJZ has continually brought quality shows to Houston's Verizon Wireless Theater. In bringing guitarist Peter White and Mindi Abair to the city, a merry night of Christmas cheer and jazz became the hightlight of the evening. Anytime Peter makes a visit to Houston, he is always a welcome delight. In
Peter White has joined forces with sax player Mindi Abair to bring us the Peter White Christmas Tour. I drove two hours to catch this show and it was worth every mile. With the combination of Peter's guitar and Mindi's sensational saxophone this tour was able to bring the spirit of Christmas without getting stuck on just that. The show was filled with classic Christmas songs done beautifully by White and Abair. Beyond the Christmas theme the show was filled with some of Peter's and Mindi's own s
James Carter is sort of a freak of nature. He can make his saxophone yell, squawk, roll over, sit-up, and emit flames. Saturday night, Carter had to remind himself during a performance with the Detroit Symphony Orchestra (DSO) that he wasn’t playing at a neighborhood club where he could let his imagination roam. Carter did an encore performance of composer Roberto Sierra’s piece Concerto For Saxophones , which premiered successfully at the DSO last year. Carter returned for three more pe
A true Diva needs more than attitude and bravura. She has to deliver and back it up with chops and skill as well as power of presence. Columbian vocalist Martha Patricia is a Latin Diva who takes the stage and commands your attention and involvement with her musicality, originality and true love of Jazz. At a recent concert at Café Berlin she delivered a variety of classic Jazz standards as well as Salsa adaptations and Brazilian Classics. She obviously has been influenced by Sarah Vaughn and
The reunion of Marcus Belgrave and David "Fathead" Newman was the most anticipated event of the Jazz in the Garden concert series. But according to Belgrave organizing it was a nightmare. Alexander Zonjic, the coordinator of the series, asked Belgrave to participate. The concerts are Thursdays in the atrium of the GM Renaissance Center. Belgrave wanted to reunite with Newman. Both were members of the Ray Charles band. At the SereNgeti Ballroom five years ago they performed together for the first
New Yorker Bob Sands came to Europe 11 years ago with the Lionel Hampton Orchestra and decided to stay to broaden his horizons He was young and qualified having graduated from Eastman with a degree in Classical Saxophone and did his graduate work the The Manhattan School of Music studying Jazz. He originally planned to base in Paris. But after a gig in Madrid he stayed and made a life there. The first few years were spent in Cultural transition as his brash New York personality clashed with the
Dave Douglas and his sextet played at the venerable Village Vanguard located in the heart of the Village in New York City. It was a balmy and warm evening on the foot trek over to the set. Washington Square was aglow with pedestrians, students and stragglers. A lone man was heard on the saxophone playing Horace Silver’s "Song for My Father." At my friend’s request, he played "St. Thomas." It lifted my spirits and only enhanced my anticipation for the show. The Village Vanguard needs no in
Southern California is noted for its periods of craziness, and right now certainly seems to be one of them. Still trying to make sense of the tragicomedy of the statewide recall election and the ascendancy of the Governator, the Southland has been further challenged by strikes affecting the area’s largest grocers and public transit authority and, last but far from least, a series of wildfires that has taken lives, destroyed homes and devastated thousands of acres of forest in five different coun
Tenor Saxophonist Bobby Martinez debuted his new group "Latin Elation" at the opening of a new series of Latin Jazz nights hosted by a new club in Madrid called "Shaman" which will feature every Thursday night in November some of the best Latin Jazz artists in Madrid. The regular trumpet player with Latin Elation was unable to perform this night and to take his place Bobby recruited his friend and neighbor, fellow tenor saxophonist Inoidel Gonzalez Torres, who I was delighted to see as he is
Robert McArthur was saxophonist Donald Walden’s special guess Wednesday night at the second concert for the Jazz Forum. But there was nothing particularly special about McArthur’s performance. McArthur a native Detroiter has gigged with Walden before, and is one of his favorite singers. "He sings better than a lot of vocalist in Detroit who are notorious for singing all the wrong notes. He sings with more feeling," Walden said. McArthur has a fluid intonation. However, the feeling that Wa
29.01.2011

CINEMATIC ORCHESTRA

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It is rare to find a gig where so many levels of artistic expression are touched, and with such intelligence. Thus full marks to the Cinematic Orchestra and their Shepherds Bush Empire gig in London; full marks to the visionary choice of tantalizing their audience with scores not only directly inspired by the movie image, but in actual fact blurred within it. The orchestra plays a live soundtrack to the 1929 Dziga Vertov silent movie masterpiece ‘Man With A Movie Camera,’ which suggested the
Pianist Geoffrey Keezer kicked off his new CD, "Falling Up" at Jazz at the Bistro in St. Louis, Missouri on November 1, 2003. Flowing easily into the opening song, Keezer was coolly vibrant. Backed by an acoustic bass and drums, this trio played lightly in unison. Weaving a delicate tale, "Beatrice" painted an enchanting evening with a warm glow. Addressing the intimate crowd, Keezer introduced "Stomping at the Savoy" with a twist. " [It] doesn’t sound anything like "Stomping at the S
The Queen Elizabeth Hall is packed for Denys Baptiste and his London Jazz Festival gig - not even one seat left unsold. His latest release by Dune, ‘Let Freedom Ring!,’ proves captivating for audiences of the most diverse backgrounds (the majority of which of African or Caribbean origin) here to celebrate the 40th anniversary of Dr Martin Luther King’s speech ‘I Have A Dream’. Pupils from various primary/secondary schools in the capital also attend the concert, as part of Baptiste’s commitmen
The Solos & Duos Concert Series at UMASS Amherst closed on November 20 with an unforgettable performance by Rashied Ali on drums and Sonny Fortune on alto sax. Both of these musicians played so freshly and intensely with each other that their long term musical relationship made sense. Never in my experience with the music, have I heard a duo produce such a huge, deeply three-dimensional and persistent sound. Fortune grunted, stomped to count off the opening of "Just One of Those Things." S
Lee Konitz appeared at the Iridium, a jazz club nestled just above the jostling and ever-awake Time Square in New York City. Celebrating his 76th Birthday, he appeared with stellar band mates Gary Peacock on bass, Bill Frisell on guitar and Matt Wilson on drums. Not quite packed full, the club must have seated 90-plus patrons. If it were not for the holiday weekend retreat in which people were packing kit and caboodle into cars and heading out of New York City, Konitz certainly would have had a
This year Istanbul might have celebrated the centenary edition of its International Jazz Festival but International Caz (the Turkish linguistic variation of the word jazz) had already come into town almost twenty years ago.In 1984 the Istanbul Foundation for Culture and Arts had brought Chick Corea to the Istanbul (Culture) Festival, today the same Foundation organizes a Festival dedicated to jazz music - well, not puritanically that is. Some outfits of pop, soul and rock have infiltra
29.01.2011

Double-dealing

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At 78, he resembled a retired linebacker. He trudged over to his piano and leaned against it. When the ovation died, Oscar Peterson, flopped down on his piano stool, and played flawlessly with only his right hand. Peterson shared a double-bill Wednesday night at Detroit’s Orchestra Hall with saxophonist Branford Marsalis. They opened the 2003 Standard Federal Paradise Jazz Series. Peterson left hand was immobile because of a stroke he stuffed a few years ago. His right hand carried the weigh
The Zawinul Syndicate’s one-off gig in Europe was welcomed in Paris at La Villette (a truly amazing venue, an absolute miracle of post-industrial architecture consisting of a series of late 19th/early 20th century buildings restructured primarily for hosting concerts the so-called ‘Citè de la Musique’, The City of Music). Naturally, the concert was greeted by a full-house (around 1,200 people.) Manolo Badrena, on whose hands rests the only ‘trait d’union’ with Weather Report (apart from Z
Jazz concerts in the City of Houston are rarely if ever have a predictable measure of success. In many ways, they can best be compared to the flip of a coin, heads I win, tells you lose. Sometimes shows are successful, and to a large degree there are those instances when they are not. The reason being, Houston is an extremely difficult town for jazz, especially live performances. Factors determining the success or failure of a concert in the city are not clear cut. Shows that are expected to be