Thomas R. Erdmann

Thomas R. Erdmann

Bassist, cellist and composer Buell Neidlinger, born in 1936, came up by playing with Herbie Nichols, Oran "Hot Lips" Page, and Vic Dickenson, among others. With his apprenticeships done, Neidlinger started working with artists like Tony Bennett, Billie Holiday, Lester Young, Rex Stewart and for seven years with pianist Cecil Taylor. After a stint in Sir John Barbirolli's Houston Symphony, Neidlinger returned to New York in 1965 to work with composers like George Crumb and John Cage. Further work included time with the Berkshire Music Center Orchestra, one Igor Stravinsky's chamber ensembles, and the Boston Symphony Orchestra. A move to California in 1971 to teach at CalArts led to eventually joining the Los Angeles Chamber Orchestra and work in West Coast studios.

 

Extraordinarily talented bassist and composer Jimmy Haslip is no stranger to jazz aficionados. Longtime bassist with the supergroup Yellowjackets, he has appeared on an almost limitless number of recordings. While Nightfall is only his fourth release as a leader, he has worked with countless other artists including Steely Dan, Tom Scott, Brenda Russell, Lee Ritenour, Eric Marienthal, Marc Antoine, Randy Crawford, Michael Franks and Jeff Lorber.

Composer, guitarist, harpsichordist, performer on the chumbuz and langspil, as well as music conceptualist Guðmundur Steinn Gunnarsson is from Reykjavik, Iceland. His background includes time studying composition at Mills College with forward thinkers Alvin Curran, Fred Frith and John Bischoff, as well as time studying in Iceland with Atli Ingólfsson and numerous other Icelandic composers. He has also participated in masterclasses with Helmut Lachenmann, Tristan Murail, Clarence Barlow and the music conceptualist/philosopher Pauline Oliveros.

 

Trumpeter and teacher Stanton Davis, Jr., originally from New Orleans, studied at the Berklee Collge of Music, New England Conservatory and Wesleyan University. As a teacher, he has taught at the New England Conservatory, Wellesley College, Bennington College and Jazzmobile. As a performer, he has been a member of Lester Bowie's Brass Fantasy, the Lionel Hampton Orchestra, Mongo Santamaria's Orchestra and Mario Bauza & His Afro-Cuban Jazz Orchestra. Davis has also worked with artists like Muhal Richard Abrams, Jaki Byard, Gil Evans, Charlie Haden, George Gruntz, James Moody, Sam Rivers, Max Roach and David Sanborn. A large portion of Davis' career has been studying and working with George Russell.

 

Euge Groove, known to his friends as Eugene Grove, has worked hard for his vaulted place in smooth jazz. Early classical piano lessons led to studies on the saxophone. Graduating from the University of Miami with a degree in saxophone performance, Groove played in a variety of bands and did studio work before coming to the attention of fellow saxophonist Richard Elliot, who got him a gig with Tower of Power. Later work with artists like Tina Turner, Joe Cocker and Elton John kept Groove constantly on the road before staking out a solo career.

 

There are few things you can bet on that are absolute certainties. In the music world the top of the list has to include how Kenny G will always confound critics while at the same time delighting his fans. Few instrumental artists, save perhaps Herb Alpert, have understood over long periods of time, and here we're talking decades, exactly what kind of music will respond to the public's heart. G has never had that problem.

1999 Carmine Caruso Jazz Trumpet Competition award winner Thomas Marriott has worked in Maynard Ferguson’s Big Bop Nouveau band, and with artists like Rosemary Clooney, Ritchie Cole, Charlie Hunter, Kenny Kirkland, Joe Locke, The Chico O’Farrill Orchestra, and The Tito Puente Orchestra, among others. Overall Marriott has appeared on over 100 recordings and his previous release, East-West Trumpet Summit, with Ray Vega, was feature on National Public Radio’s “Morning Edition.”Marriott is joined w
Seattle-based trumpeter and composer, Chad McCullough, teams up with Slovakian and currently The Hague-based pianist, Michal Vanoucek, as leaders for a straight-ahead jazz quintet recording of ten original compositions. McCullough, who has earned degrees from the University of Idaho and the University of Washington, has worked in the Disneyland bands, and played piano and trumpet with the Glenn Miller ghost orchestra. Others he has worked with include Wynonna Judd, Claudio Roditi and Michael W
Freedom Suite is both different and unique and traditional and common at the same. Mixing hip-hop elements first done well, in a jazz vein, by Miles Davis on Boo-Dop, expanded in many ways with mixed results by Greg Osby on his 3-D Lifestyles, and made accessible and popish by Quincy Jones, this recording incorporates all of these influences as well as throwing in a few of its own. This music presented here is pop, R&B, hip-hop and jazzy, with the inclusion of straight-up interviews with a
These are tough times for jazz vocalists. Most have recorded all the life out of the American Songbook repertoire, beating standards into an early death. Yet, recordings of standards by jazz singers keep coming out and coming out, and coming out. Thank goodness there are a few vocalists, like Norma Winstone, who have uncompromising taste and are willing to step out on a ledge, usually with great results. Cassandra Wilson has always been one of these kinds of jazz singers. Sure, she’s covere