Edward Kane

Edward Kane


Hi, Hi, Blackbird

Published in Concert Reviews
Shelly Berg's new CD Blackbird hit the streets on January 25th; LA area jazz got a tasty preview of the Concord release a week early at a special show by the Shelly Berg Trio at Catalina Bar & Grill. The show naturally drew heavily from the disc, which the pianist and USC professor plugged relentlessly (and amusingly) during the evening. Rounding out Berg's trio were the well-traveled bassist Chuck Berghofer and drummer Gregg Field.

Blackbird takes its title from the Lennon McCa

The words "Education," "Association," and "Conference" seem unlikely to figure prominently in a sentence ending with the phrase "Fun and exciting," so I suppose it's a testament to the power of Jazz that I am able to write with conviction that, in addition to being very informative, the 32nd Annual Conference of the International Association for Jazz Education (IAJE) was fun and exciting. As a resident of Long Beach, CA, the city which hosted the conference, it was tremendously gratifying to be
The Ornette Coleman Quartet's one-night engagement at Disney Hall was one of the most eagerly anticipated events here in Los Angeles in recent memory; tickets were all but impossible to find. L.A. doesn't get enough of Ornette Coleman. Most towns could probably lay a similar claim, given the fact that Ornette scatters only a handful of dates in American cities every year; but given the important role this city has played in his career, it still seems rather shocking that this was the legendary j
Marian McPartland closed out another successful run of shows at the Jazz Bakery on Halloween night with a delightful bag of tricks and treats. Her set was adventurous and wide-ranging, including luminous originals, warhorses from the great American songbook and a handful of compositions by several of the most distinctive composers in jazz history: Duke Ellington, Billy Strayhorn, Thelonious Monk, Bill Evans and even Ornette Coleman. Nearly as important was the graciousness, charm and wit with wh
It's hard to write about Santana without venturing into hyperbole. There's Carlos Santana himself, a singular guitarist equally adept at playing with tender lyricism and dealing in raw power; the rest of the band is hardly less accomplished with such long-term members as the versatile keyboardist Chester Thompson and potent drummer Dennis Chambers in tow. Though the line-up has shifted several times over the years, Santana is one of a very small handful of bands from the Woodstock Nation to not
The Chick Corea Elektric Band's engagement last week at Catalina Bar & Grill was, as always, a popular ticket at the Hollywood venue. The keyboardist always played to a full house at the club's previous location, and the tables were just as full at Catalina's larger, new room; the only difference is that there seemed, thankfully to be more breathing room in between them. The Elektric Band offered this crowd a lengthy and challenging suite of songs from their ambitious new Stretch/Concord release
There are those artists who find a comfortable niche and work within it in for the better part of their productive lives. Others spend their careers seeking new sounds and means of expression. Which group does David Sanchez fit in? Well, consider this: his recent engagement at Boston's famed Regattabar was billed as a party celebrating the release of his latest CD Coral, but the show I saw featured compositions and arrangements that were even newer than that. The David Sanchez Quartet pla
The story of David "Honeyboy" Edwards reads like the history of the blues itself. Born in Shaw, Mississippi in 1915, he not only witnessed such originators of the Delta blues style Charley Patton firsthand but also performed as a young man with such historic players as Robert Johnson and "Big" Joe Williams. He was recorded by Alan Lomax for the Library of Congress in 1942 and has lived in Chicago for the last forty years. With each passing year Honeyboy's pre-eminence as a living master of the f
The 17th edition of the popular Long Beach Jazz Festival closed today on a successful and funky note with a veteran-heavy lineup including Roy Ayers, George Duke and Poncho Sanchez along with saxophonist Steve Cole, soulful crooner Kem, local legend Al Williams & the Jazz Society with Niki Haris and 2004 Jazz Search winner Julie Burrell. The annual three day event once again drew over 35,000 Jazz and R&B fans from all over Los Angeles County and Southern California to Rainbow Lagoon Park overloo
Today marks the long-awaited release of Karrin Allyson's latest CD, Wild For You. For most jazz lovers this will be the first opportunity to hear this new music, but several lucky fans here in Los Angeles were lucky enough to get a preview of her new material during her engagement at Catalina Bar & Grill in late May. Fronting a quintet consisting mainly of her long term bandmates, Ms. Allyson captivated the crowd with an enchanting mix of jazz standards, Brazilian ballads and songs from 1