Lee Prosser

Lee Prosser

Sometimes when two musicians meet, their personalities and musical communications meld in such a way that the friendship lasts a lifetime. John Abercrombie and Andy LaVerne met about 35 years ago as students at the Berklee College of Music. Both have gone on to find separate success, but the jazz guitar and piano duo always finds time to express their musical language together. Last Friday (Feb 9) as part of the Wooster School Jazz Society's monthly jazz nights, Abercrombie and LaVerne transform

Tender Moments

Published in Concert Reviews
T'is the most tender of magical moments that I am happy to witness, why I doth not know. And sometimes who too, as I mistook Elton Dean for Tony Levin at the Jazz Cafe. But smiles or not, I cannot write the whole experience of listening to Tippett, the man of classical hugs, with both his line ups.

But tomorrow, I will get my daughterthing to read me my notes about her uncle Keith and company. Nothing more now, except to say that there is nothing more impressive than listening to the cream i

The Brad Mehldau Trio - Mehldau (piano), Larry Grenadier (bass), Jorge Rossy (drums) - has been heralded as the new breed of piano trio and acclaimed for its unique simpatico. A recent stop at Seattle's premier jazz club, Dimitrou's Jazz Alley, showed why the young group is so highly regarded but left room for growth.

Mehldau has been regarded as the classic post-modern pianist - rough and ready and known for a combative edge and punk aloofness. There's more than a bit of the young Keith Jar

Opening the 12th season of the Magic Triangle Music Series at UMass/Amherst was the first performance outside of New York City of William Parker's Little Huey Creative Music Orchestra. This group was put together in 1994 in tribute to the "dreamers" of our world: those who mindfully and naturally create beautiful expressions of their souls.

The program consisted of four numbers, all Parker's compositions/conceptions/inspirations. Each piece had a story behind it, which fact is so instinctual

Gaining momentum and now in it's second year, the brainchild of promoters Thompson, Parrish and Paddock (better known as The Oasis Group, LLC) took Chicago by storm bringing with it the hottest names in Smooth Jazz all under one beautiful roof. The Second Annual National Smooth Jazz Awards, presented to a sold out audience of better than 3,500 delivered an evening of more than nineteen hot hits performed by the original artists and well-deserved awards and honors to some of the genres greatest.
The Gnawa musicians of Morocco are a fascinating group of players. Their music is not merely meant to entertain, but to heal.

The Gnawa were brought up from sub-Saharan Africa hundreds of years ago in bondage. They are master musicians who believe that everyone has a color and a musical note to which he or she vibrates. During healing ceremonies individuals respond to their chosen color and note. Ultimately the goal of the Gnawa is to play every note perfectly lest a wrong note adversely aff

The concept of blending jazz and Latin music is not a new thing. The two styles have been borrowing each other since the 1920's. Rare, however, is the musician or band that is equally versed in both styles.

When trumpeter and conga player Jerry Gonzalez formed his Fort Apache Band nearly twenty years ago his ability to blend the two styles in equal measure turned heads and has since had a gigantic effect on jazz, one not fully realized until the arrival of Danilo Perez and David Sanchez as b


Sonny Rollins

Published in Concert Reviews
For many people new to jazz their first exposure to Sonny Rollins was the image of him practicing his saxophone on New York's Williamsburg Bridge in 1958, lovingly documented in Ken Burns' recent "Jazz". No mention was given of the legacy Rollins has built upon since then.

A consummate perfectionist with a well of imagination that is seemingly bottomless, Rollins has stayed on top of his game for decades thanks largely to a rigorous practice routine. As a result, Rollins sounds as vital and

It's never a good sign when you roll up on the theatre where a favorite musician is scheduled to perform and you see something dreadful on the marquee.

No, not "cancelled." Much worse than that, though after a jarring trek over a pothole-riddled interstate a cancelled show would be a major depressant. No, some idiot has actually misspelled the name of one of the performers.

The marquee outside the Royal Oak Theatre in the Detroit suburb of Royal Oak announced: "Tonight at 9:00 - Bob Jame

On April 12th, the UMass/Amherst Magic Triangle Series concluded its 12th season with a special performance by Yusef Lateef in a quintet that included Chicago sax man Von Freeman, pianist Alex Marcelo, drummer Kamal Sabir and bass guitarist Tim Dahl.

This was a once in a lifetime concert to honor Dr. Lateef in his 80th year. His musical life has been rich. Much of it has been spent in the UMass area and his vast contributions have been recognized to the extent of a having resolution authored