It is a privilege for me to experience the performances of musicians who are unmistakably committed to what they do musicians who live and breathe the music musicians whose acquaintance with newness leads to an outpouring of fearlessness in how to build music from seeming nothingness, starting with one note.
And the note came from Peter Brõtzmann’s bass clarinet----the note seared the air to open wide a field of possibilities. The note was dark .the drums, Nasheet Waits lightly brushed
My seat at Tanglewood was in the first balcony way up behind the band. The people next to me were complaining how they wouldn’t be able to see Rollins. Even though I didn’t say anything, I knew that Rolli
All suited up, the members of the trio moved onto the stage at the
The members of Trio X are Dominic Duval, Jay Rosen and Joe McPhee. Each has his own unique sound. Taken further, the group’s capacity to put these unique sounds and their unique temperaments together result in a brilliant and common determination: to make their music unforgettably engaging.
Trio X is a young ensemble maybe seven years old. In the beginning of a new venture, the musicians start as innocents with each other. The more they play together, the more the audience can wrap
To the uninitiated audience, a performance by the Peter Broetzmann Tentet may seem cacophonous, potentially unendurable and incomprehensible. Nothing could be further from the truth. The most salient means to identify with a performance of this group is, without resistance, to fall into the energy, sincerity and the joy underlying the making of the music.
The Tentet is a group of musicians that fluctuates in personnel. For some reason, I always thought that this ensemble woul
Susie Ibarra’s recent project with Electric Kulintang speaks of her upbringing within a community of Filipinos. She seeks to bring the folk traditions manifest in Filipino culture into the setting of contemporary music. With only two of four members of the group performing, Ibarra and Roberto J. Rodriguez carried out her intention at the last concert of the Magic Triangle Series at UMass, Amherst.
The major component of Kulintang is a group of eight distinctly pitched gongs, charact
Alone and sitting at a piano in the front of a mid-size room, Burrell captivated the packed house with the sound he produced with his exceedingly long, lithe fingers which when they touch the keyboard become a logical extension of it. Logical, but more importantly, human.
It is important to Burrell that hi
The stage was set in pre-performer-entry frozen time with so many music making objects that I
The intimacy of the experience of making music surrounded the two players as an aura. A complementary interplay emanated from the performance for the reason that Joe plays sax and clarinet and Mat plays viola. Mat’s playing is as smooth as silk and Joe’s is sporadically temperamental and melodious. However, look