Lyn Horton

Lyn Horton

On February 9 at the Iron Horse in Northampton, Ma., the stage was occupied by two top performers in the avant garde idiom of jazz-Matthew Shipp, on piano, and William Parker, on bass. Shipp met Parker 15 years ago and expressed a desire to play with him. Shipp's desire was fulfilled and they have played together numerous times in various group situations ever since. Despite the difference in their age, Shipp commands his instrument with finesse and sophistication that begins to match Parker's m
Last night’s performance of Jemeel Moondoc’s decade-long project, "Jus Grew" Orchestra, mesmerized the capacity audience in Bezanson Recital Hall at UMass Amherst . This orchestra works within the context of "free jazz", yet, upon listening, you can hear its roots. Its roots are imbedded in Moondoc’s deeply sincere assimilation of the best of jazz band music, specifically that of Ellington and Mingus, and more broadly of individual artists, like saxophonists Henderson, Ayler, and Jackie McLean.
On Friday evening, March 31, 2000 at the Rhinebeck Performing Arts Center was the US premiere performance of the J Band. The J Band is Joe McPhee on reeds, Joe Giardullo on reeds, and, from France, Jerome Bourdellon on flutes and reeds. Special guest performers were Dominic Duval on bass and from Italy, Luciano Pagliarini on alto saxophone.

Jerome Bourdellon initiated the first set with a solo on bass flute. The muted tones he produced projected an altogether feathery character, which had int

Deep in the Hudson Valley, in a wisp of a town called Rosendale, the J Band (Joe McPhee, Joe Giardullo and Jerome Bourdellon all on reeds and Dominic Duval on bass) performed the music I have been anticipating for a long time. The instruments were picked for the space. The space was intimate. The sound was all-embracing. The images of the four playing I will remember for a lifetime.

This gig took a less formal shape than the concert at Rhinebeck a week earlier. The group had been playing stea

Closing the 11th Annual Magic Triangle Jazz Concert Series at UMass Amherst was a performance by trumpeter, Baikida Carroll, and his quintet. The members are Erika Lindsay, tenor sax, Steve Colson, piano, Michael Formanek, bass and Pheeroan Ak Laff, drums.

This concert distinguished itself by being based on Carroll’s composed music. Improvisation took place but did not lend itself to the forefront of the music making. The inspiration that the concert left behind was minimal. Exchanges between

The house was packed on Sunday, May 7, at the Iron Horse, Northampton,Ma., to hear Brad Mehldau's trio, with Larry Grenadier on bass and Jorge Rossy on drums . The evening glistened with endless music. That is the way Mehldau plays the piano.

The first time I heard Mehldau was with the Josh Redman quintet. Since Mehldau has gone out on his own, having recorded 4 trio CDs, one studioand three live dates at the Village Vanguard, he has blossomed. His piano playing is exquisite. And I feel free

On Thursday night, in Cambridge, Massachusetts, Peter Brotzmann’s orchestra, this time, the Tentet + 1, penetrated the Middle East Club with sounds that are memorable and inimitable.

Brotzmann has redefined the idea of jazz orchestra, which we know I suppose from Ellington’s orchestra at its best. Brotzmann has brought it into the 21st century. All the members are consummate performers and masters of their instruments. It seems unbelievable that so many wonderful musicians could be assembled

29.01.2011

Reliving Trio X

Published in Concert Reviews
The Old Office at the Knit on July 22 saw the second of a three night run of the performance of Trio X, that is, Dominic Duval on contrabass, Jay Rosen on drums & percussion, and Joe McPhee on tenor sax & pocket cornet.

I went to this gig with a clear mindedness that allowed me to hear in a way that carried no expectations. Trio X is finding its own voice. It is a voice that balances dynamics, that carries both soft and brash expressions and an increasing camaraderie of interaction. T

The second night of this year’s Bright Moments Festival at UMass Amherst on July 21 starred Antoine "Papa" Wendo Kolosoyi, a 75 year old Congolese vocalist, whose 39 year reputation as "a pioneer of African rumba" has been suppressed until very recently. In 1992, he put out a CD which brought him much attention, so much that he went on a European tour. It has not been until now that he has come to the United States, having produced another successful CD, MARIE-LOUISE.

Papa Wendo’s group consi

Friday, the thirteenth of April, in Boston, at the Institute of Contemporary Art, was another performance within the Boston Creative Music Alliance of DIE LIKE A DOG TRIO with guest Joe McPhee. The trio is Peter Brotzmann, reeds, Hamid Drake, drums and William Parker, bass.

Brotzmann played the taragato whose tones automatically lend to the music a sound of the world. He broke the silence of waiting for the music to begin with a line that resembled a call of the wild. Parker sat as he fingere