King Crimson again proved itself a veritable percussion think-tank when it launched the double-rhythm team of Bruford and Pat Mastelotto in the 1994 double-trio incarnation. Through late 1994 and 1995 the band toured the world giving 120 concerts and producing studio and live CDs documenting its fresh and innovative use of two drummers. 1996 saw further King Crimson concerts and the production of a CD Rom encapsulating Bruford's approach in a tri-format combination of audio and MIDI/digital data Bill also found time to record and/or tour with Kazumi Watanabe David Torn The New Percussion Group of Amsterdam Jamaaladeen Tacuma Akira Inoue Al Di Meola Anderson Bruford Wakeman and Howe the Buddy Rich Orchestra Tony Levin Pete Lockett and his old firm Yes amongst others. He continued his work as an active clinician with a series of clinics in Europe and America in 1993 culminating in his highly acclaimed appearance at the Percussive Arts Society International Convention at Columbus Ohio in November. In 1990 the readers of Modern Drummer Magazine voted him into that magazine's Hall of Fame.
The late 90s saw Bruford underlining his commitment and return to jazz and 1997 saw two major releases. The Earthworks "best of" compilation Heavenly Bodies taken from all four albums and including previously unreleased material was released in May on Virgin Record U.K. Then a late summer release of fresh material with jazz titans Ralph Towner (guitars and piano) and Eddie Gomez (bass) entitled If Summer had its Ghosts appeared on King Crimson's Discipline Records in September.
Touring internationally with the second edition of Earthworks featuring Steve Hamilton (keyboards) and Patrick Clahar (saxophones) the band's live work led to the release of a sixth C.D. "A Part and yet Apart" in 1999. Electronic percussion made way for the warmer looser style of the more conventional sax-piano-bass-drums line up and Bruford continued to bring the best of the young British players to the attention of a rapidly growing international audience.
The new millennium saw a live album release by Bruford Levin’s Upper Extremities entitled B.L.U.E. Nights and the augmentation of Earthworks with the celebrated jazz guitarist Larry Coryell for the 2000 summer jazz festival season. Following an extensive 22 date tour of the U.K. Earthworks recorded it’s seventh C.D. in November entitled "The Sound of Surprise". Spring 2002 saw the imaginative simultaneous release of a) a Live Double CD from London called "Footloose and Fancy Free" and b) a full-scale DVD from New York entitled "Footloose in N.Y.C" and the replacement of Clahar with the multi-talented Tim Garland fresh from Chick Corea’s recent group. The new CD was awarded the coveted "5 Stars" in Downbeat magazine.
In 2004 Bill formed Summerfold Records and Winterfold Records to cater for different aspects of his rapidly mushrooming catalogue already containing some 25 titles. Recent collaborations have been with The World Drummers Ensemble and Earthworks Underground Orchestra. 2006 saw the release of the much talked about Rock Goes To College DVD from his old team "Bruford".
Bill has three grown children and continues to live in the Surrey Hills with Carolyn and two cats. He retired from public performance on January 1 2009 after 41 years as a musician and published his autobiography in March 2009.