jazzreview.com - Where People Talk About Jazz Since 1997

Register Login

For many, Nancy Wilson will always be thought of as a jazz singer, breaking onto the scene after sitting in on a gig of Cannonball Adderley’s in the late fifties in Columbus, Ohio. John Levy, Nancy’s career-long manager, was also Adderley’s manager, thus leading the way to Nancy securing a recording contract with Capitol at age 22 and a fond association with Levy throughout her outstanding career. "John is one of the nicest people in the business and the greatest thing is that we are still toget …
29 Jan

Allan Harris

Saturday, 29 January 2011
Published in Jazz Artist Interviews Be the first to comment!
Allan Harris has an impressive musical pedigree. His mother was a classical pianist. His aunt was an opera singer turned blues performer who welcomed famed music producer Clarence Williams and jazz great Louis Armstrong to the household as dinner guests. Allan has sung the standards of the foremost jazz vocalists and performed with jazz orchestras throughout the world. His performances have been hailed as artistic, emotionally expressive and technically sound. Through his performances with Tommy …
For the past few months it has been my pleasure to attend several blues shows at the downtown Delta Chelsea’s Monarchs Pub. The Delta has done something that no other major hotel chain in Canada has dared to do which is to offer world-class live blues shows every Thursday evening, 9 p.m. to 1 a.m. One of the two major attractions to these great blues nights, is the always entertaining, Juno Award-winning blues guitarist Jack de Keyzer. His performances have always been
29 Jan

Swinging with soul

Saturday, 29 January 2011
Published in Concert Reviews Be the first to comment!
On Sunday, May 17th, piano maestro Marcus Roberts performed at the The Dakota Jazz Club. Located in the heart of downtown Minneapolis, the Dakota is one the best clubs in the Twin Cities to visit for live jazz. Showcasing the talents of nationally renowned jazz pianist, Marcus Roberts, is just one example to their commitment to the culture and jazz community. Roberts opened the set with a Jelly Roll Morton tune entitled "New Orleans Blues " which he played in double octaves up and down the pi
Ever since its opening in 2001, The Clarice Smith Performing Arts Center at the University of Maryland, College Park, has developed a unique program that, in their words, "fully integrates the University's academic performing arts departments into its programming. This commitment to creative collaboration, uncommon among university presenters . . ." includes programs for the departments of music, theater, and dance, bringing in performers for workshops and seminars, as well as for their performa

1997 - 2013 © jazzreview.com. All rights reserved.

Top Desktop version