For ten years, saxophonist/pianist and GRAMMY-winning composer/arranger Gordon Goodwin has been driving a train that won't stop. He first assembled his Big Phat Band in 2000 – an ironic starting point for an 18-piece big band, given that the fleeting neo-swing craze of the late 1990s was just winding down. But Goodwin and his crew have always been the real deal, and have always been in it for the long haul. In the decade since their ambitious beginnings, the Big Phat Band has burned up stages and studios with an eclectic, intelligent and high-energy brand of music that marries the best elements of Duke Ellington, Count Basie, John Barry and other big-band and orchestral jazz giants of the past 70 years."There's a significant segment of the population – and some are just high school kids – who inherited an appreciation for this music from their parents or their grandparents," says Goodwin. "They don't necessarily consider themselves jazz fans, but they find this music to be accessible without being highbrow or elitist. The inspiration behind this record is very simple, and very much in line with that of our previous records. We make music that sounds good to us, and it does seem to resonate with a lot of people."