Fans of the big Basie band are pleased. Pablo Records has seen fit to release a concert from Basie’s 15th European tour in 1970. Special arrangements were made to accommodate the inclusion of
Harry "Sweets" Edison and his unique style. Edison had been a part of Basie’s earlier bands. Other perennials include
Eddie "Lockjaw" Davis, Cecil Payne and the venerable
Freddie Green.
Liner notes for the Budapest concert are perfectly prepared by Chris Sheridan who is the author of the exhaustive
Count Basie: A Bio-Discography. It’s nice to see that all arrangers are credited on each tune. Collectors always appreciate knowing who did what. By the way, some of the arrangers are Nat Pierce, Neal Hefti, Quincy Jones, Sammy Nestico, Ernie Wilkins, Lockjaw Davis, Benny Carter and Frank Foster. That’s an all star lineup!
As with most Basie albums, there are no mistakes. This is wonderful time-tested material as only the Count’s band could play it. The band is bold, punchy, brassy and finely tuned. Solos are abundant and interesting.
Grover Mitchell’s trombone solo on Benny Carter’s
Sunset Glow is particularly beautiful. It’s a great tune that is seldom heard anymore.
Eddie "Lockjaw" Davis solos on
Magic Flea, Jumpin’ At The Woodside, Light And Lovely and Summertime. There’s even a rare chance to hear Basie’s perennial
Freddie Green on
Frankie & Johnnie who is clearly audible throughout the song.
While there is not sufficient space here to document all the soloists, let’s say that they will not disappoint the discriminating listener. It was great to hear
Mary Stalling’s delightful vocals on
Four Or Five Times and
The Party’s Over. I’ve listened to Mary’s recent recordings on the MaxJazz label and loved them. She had been with the Basie band for only seven month’s when this concert was taped. Stallings left music to raise her child in 1971 and returned in the nineties. She is a true talent!
Good Time Blues is highly recommended listening. Two thumbs up!