Jazz Viewpoints (222)
Trying to get an interview with Maxine Todd, Program Director at Houston's new smooth jazz radio station almost proved to be a lesson in futility. To her credit, the lady has been busy launching 95.7 The Wave since November 2002. In fact, bringing the format to the city is a big deal, seeing as how Houston has been without a commercial jazz station since 1997. Numerous attempts have been made to program jazz in the city over the last 25 years, but to date four of them have failed t …
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Charlie Parker- "Repetition" (with strings): I chose that because he was going into the future. He was starting to become one of the innovators and he continued going forward. This is an example of Charlie Parker moving forward with other instruments beyond the quartet using strings and orchestras Dizzy Gillespie - "Things to come": that has a perfect announcement of things to come and music revolution It was a confirmation that the musical pioneers were arriving. Bud Powell- "Glass Encl …
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In 1998, Matthew Shipp played the piano in a performance with Other Dimensions in Music in Amherst, Massachusetts. This was the first avant-garde music concert I had ever attended and the first about which I would attempt to write and successfully did. Matthew’s music was familiar to me by way of the radio. Any prior awareness of him resulted from his name being in the air, so to speak. This is the same kind of familiarity I had had with William Parker; I had carried his name with me for near …
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In Belgium, the country of its original inventor, Adolphe Sax, the saxophone has recently been reinvented by François Louis. Known worldwide albeit only by saxophone players and flutists as the inventor and builder of a complete new range of legendary mouthpieces, reed ligatures and reeds, Louis has invented the instrument of the third millennium. Mel Lewis’ 1984 "20 Years at the Village Vanguard" was the first album that featured a François Louis’ revolutionary hand-made mouthpiece of boxwo …
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A new independent jazz label was born on December 1st from the roots set by vocalist Cleo Laine and husband saxophonist John Dankworth: Qnote will try to bank on a glorious past of re-releases and perhaps try to promote some new quality jazz. TV personalities as well as the usual Jazz crowd attended the reception for the launch of Qnote in London’s Soho. Some of the CDs included in their soon-to-come catalogue will comprise names as guitarist John Williams, cellist Jullian Lloyd Webber, saxop …
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Carmen Lundy has been living in Los Angeles for over a decade but her recent engagement at the Jazz Bakery represented an all-too-infrequent local appearance from the talented singer and songwriter. Backing her on stage, as on her excellent new Justin Time recording Something to Believe In, was Regina Carter, the very talented and busy violinist. In a week that included a performance from Keith Jarrett at new Disney Hall downtown, Lundy’s dates at the Jazz Bakery were the talk of the L.A. …
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The week of 11/10/03 should be a good one for fans of jazz vocals in Los Angeles. Carmen Lundy will be gracing the stage of the Jazz Bakery from 11/12-11/16 with violin sensation Regina Carter as a special guest, while Feinstein's at the Cinegrill in Hollywood will feature another fine female singer in Keely Smith. Devotees of the avant-garde should find the next two offerings from the line space line series at the Salvation Theater in Silverlake interesting. On 11/10, line space line features o …
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There are those who refer to the Detroit area pianist Bob Seeley as the foremost player in the world, the greatest boogie woogie pianist alive today. There are those, too, who will mistakenly call him low key, in spite of the mighty rumblings that emanate from his supremely talented digits. He doesn’t have a record contract, though he’ll happily sell you any or all of his three self-produced CDs at the gig or by mail. He doesn’t take the show on the road a heck of a lot -- but when he does, he d …
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Italy, a country whose people aren't afraid of sharing strong musical opinions with the world, has finally opened one of it's most influential cultural stages to experimental Jazz and improvisation. The controversial move was sparked by Uri Caine’s enticing artistic program, powerfully closing the gap between the ‘purism’ of past ‘Biennali,’ which mainly relied on classical-contemporary music, and this year’s focus on the experimental. Until now, Jazz had not been allowed to walk the central …
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British saxophonist Soweto Kinch has been honored with the MOBO Award for Best Jazz Act 2003, at the Royal Albert Hall in London. The MOBO Awards whose aim is to celebrate and give support to Music Of Black Origins, is one of the highest prizes of its kind. Winners as for the BBC Jazz Awards are decided by public vote. Soweto won despite harsh competition fellow nominees were Norah Jones, Roy Hargrove, Kirk Whalum and Jamie Cullum. Amongst the winners, Hutcheson Gayle as Best Gospel New …
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Weeks ago, Thirsty Ear Records asked me if I would like to interview David S. Ware in connection with the release of a new recording which features a new ensemble including his quartet of long-standing. I responded, Yes. David S. Ware personified for me one of the great players of the saxophone. I did not know the Ware’s complete discography. CORRIDORS & PARALLELS and FREEDOM SUITE (a tribute to his friend Sonny Rollins), I had written about a while back. CRYPTOLOGY and DAO of the mid 90’s pr …
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"What am I going to dream about?" asks Rahsaan Roland Kirk in the opening seconds of his often misunderstood album, The Case of the 3 Sided Dream in Audio Color (1975). This album is a glimpse into Rahsaan's "three-sided dramatization of music." But what is this "three-sided dramatization" that Rahsaan refers to in his liner notes? If you examine the prominent themes on this album, three patterns emerge: Conversations; Dreams; and Songs. Jazz, unfortunately, is always critically measur …
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Remember when you first started band? It was "understood" that the boys played the drums and brass instruments and the girls played the flute, clarinet or oboe. Those days are long gone. I want to tell you about two women who are establishing themselves as players to be reckoned with. First, Ingrid Jenson. This Canadian born jazz trumpeter is one of the freshest and most underrated players on the jazz scene. Her sound has been described as "sweet and earthy". Don't let that fool you. Igrid Je …
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February 4th 2005 It's a new day. The record business has finally taken its toll and lost its fight to stay alive and the smooth jazz world has taken a nose dive along with it. After several years of radio play and incessant touring, artists are now finally hanging up their hats. It's over. The news is grim. Well, for the artists at least. The writing is clearly written on the wall: Smooth jazz musicians are to put down their horns and retire as there are simply no more record deal …
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‘ReMix Structures and Improvisations’ is Uri Caine’s visionary project as Director of the 47th Festival Internazionale di Musica Contemporanea (International Festival of Contemporary Music) to be held at the Venice Biennale, Italy (12-21 September 2003.) A bold turning point in terms of programme, it allows Contemporary Music to be experienced in all its kaleidoscopic forms. Caine musically translates Venice’s pensive beauty into the vertical suspension of New York’s skyline, into a stage of dif …
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In November 2002, a Houston icon was unceremoniously escorted off the radiowaves. KIKK 95.7-FM had been a country & western musical treasure for more than a quarter of a century. As the station left the airwaves, it was replaced by an upstart of sorts, KHJZ 95.7-FM, otherwise known as "The Wave." The transition did not sit well with die-hard KIKK listeners, especially after they realized what the new format would be, "Smooth Jazz." A sonic boom reaching meteoric heigh …
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Boogie woogie, a piano style that has been in an out of favor with audiences a few times over the past century, is an excruciatingly complex combination of a dancing bass line (it sure isn’t just walking) supplied by the left hand and dazzling runs from the right, and usually played on an upright piano. The ability to combine the two hands in a complimentary and cohesive fashion is what separates masters from pretenders and is why the list of the former remains relatively short. History trace …
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Back in March, at the conclusion of my interviewing DJ Spooky (Paul Miller), he asked me if I knew Thurston Moore. I said: No. Paul left it at that because someone came seeking answers for some sort of performance question. Thurston’s name did not come within my spectrum of interest until I received the promotional material from MASSMoCA regarding the summer’s activities. I saw that Thurston was commissioned by the Bang on A Can Ensemble to write a piece for the group. I bought a ticket right aw …
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A couple of months ago, Wayne Shorter submitted a Desert Island Disc piece to Jazzreview.com. Beside the fact that it was a rare opportunity to read the jazz maestro’s thoughts, it lit a fire. Knowing I’m not in the minority and that there are actually millions of closet list makers among us, it seemed a fine time to lay bare this obsession. I’ve engaged in this exercise many times over the years. My lists don’t vary much. John Coltrane, Muddy Waters, Frank Zappa, Doc Watson, Stevie Wonder and M …
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A post-it on my computer desktop keeps telling me to write this article. My experiences in life and with music have increased a gazillion (taking this word from NYT columnist, Maureen Dowd) fold in recent years. I suppose it is for the reason that music for me, as it does for many others, serves as a comforting heartbeat existing outside of my own and informs me that I am not alone. Writing about how the music I listen to affects me is an activity which I like to share because I treat each artic …
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2004 may already be a couple weeks old but it's not too late to run down some of the highlights of 2003. While it seems that playing the time honored game of "things ain't what they used to be" is a perfectly nice thing to do for some jazz fans and critics, the joke is on them if they don't realize that there are plenty of great albums being made in the present tense. The following is by no means to be considered a complete list of the best of '03. One trend that happily continued in 2003 is …
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Publishing year-end lists serves to spark debate and (ideally) inspire closer inspection of the music that moves us throughout the year. If you’re like me, you probably shake and scratch your head every time you look at these lists, wondering what in the world the list maker could have been thinking. "They thought what was the best album of the year? What, are they kidding!?" There are lists that inspire, too. I often buy music on the basis of year-end lists, but only if at least some of …
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With continued financial woes to face, the aftermath of a war on foreign soil still to be wrapped up, and snipers here in our own backyard, 2003 really wasn’t much to write home about. As has been the case for centuries, man’s art tends to reflect in some shape or form the social conditions of the time and so it should come as no surprise that jazz fortunes were at a low point this past year to say the least. The industry continued to feel the effects of a reissue boon over the last ten years th …
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DISCS THAT MADE 2003 BEARABLE (in no order whatsoever) 1) Elvis Costello, North (Deutsche Grammophon) The sardonic, erudite rocker turns into (for this album at least) a sober, haunted crooner, crafting his very own counterpart to the 1950s romantic-angst concept album Sinatra Sings For Only The Lonely but with all original songs, written with the poignancy of standards like "One For My Baby" and "Angel Eyes." 2) Lee Morgan, Sonic Boom (Blue Note) Sure, thi …
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The Martin Scorsese-generated blues series, a weeklong extravaganza of blues films presented on PBS stations across the country, was one of the most anticipated events of the past few decades. Given the decline of sales across the board for all genres of music, the folks who make, record and release blues music were hoping for a shot in the arm, akin to the Ken Burns series on jazz and, to a lesser degree, the country/bluegrass film "O Brother". While every label with a stake in the music releas …
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