jazzreview.com - Where People Talk About Jazz Since 1997

Register Login

Contemporary Jazz - CD Reviews (1790)

The opening for "Distance" by Norma Winstone, a laid back groove by bassist Koller and the song falls into place as imagination is set free to roam through miles of melodic space. Lindzon sings beautifully, blending registers from mid range to high end and phrasing that perfectly flows as she…
Read more...
Silent Photographer is an excellent trio recording. The tone is generally hushed and introspective, and the improvisations are searching and cerebral. Though the group does utilize dissonance, space and tense harmony, the music never feels alienating. The musicianship here is first rate, and the group's interplay is equally impressive. Further…
Read more...
Andrea Fascetti, the Italian electric bassist has a second album as leader, Cinema. His first CD - dedicated to Steve Swallow, entitled Dedicated To Steve 2008 on the Philology label displayed Fascetti's formidable talents as a seven-string bassist.
Read more...
The trumpet is the most difficult instrument to play (physically) requiring top notch chops and Dan Jacobs has been blessed in this regard many times over. This quartet has it all together in this fine album. The arrangements are fabulous and the solos are not only inventive but performed soulfully and pleasing to the…
Read more...
Remember the 1970s – of course you don't, you weren't born yet.  Trust me, it was a great time for jazz.  Big record labels, like Columbia and Warner Brothers, gave their stable of jazz artists good funding to produce personal statements not bounded by end of quarter financial statements.  Even…
Read more...
David Budway is joined by Branford Marsalis and Marcus Strickland on his CD, A New Kiss
Read more...
Lucky's Boy is a 2011 release by veteran New England pianist Pamela Hines. Hines is joined by the stellar rhythm section of John Lockwood on bass and Les Harris, Jr. on drums. Also present is April Hall on vocals, whose bluesy style fits well with the proceedings. The entire set…
Read more...
Donovan Mixon has seen some of the world in the last two decades, and the influences show in Culmination. After teaching at the Berklee College of Music, the guitarist spent seven years in Italy, then ten in Turkey, bouncing between freelance work and teaching. Now he's back, with a group…
Read more...
It's not often that one begins an album with a drum solo, but that's the sort of thing that makes one take notice. Guitarist Mike Baggetta is full of surprises on his second release with this quartet, with unusual moods and textures the order of the day. A hot young…
Read more...
Musical labels are as much a blessing as they are a curse, their primary function serving as a musical guide to more effectively market and sell a particular artist. Keeping in mind that taste is as subjective as the continued debate as to the accuracy of certain sub-genres, enter Kekko…
Read more...
Flutist Ali Ryerson returns to the studio with an all-star cast of collaborators.
Read more...
Let's face it, smooth jazz is a radio format as dead as Elvis Presley. For over 25 years, Acoustic Alchemy has not only survived a dramatic change in personnel, but every pretentious label tag thrust upon it, given the group may well be the last commercially viable entity from what…
Read more...
Nice Talk is the title of the intriguing debut from the jazz trio that goes by the moniker of The Hot @ Nights.  Three piece jazz combos are not highly unusual, but the curious instrumental combination utilized by The Hot @ Nights is an unusual blend.
Read more...
  Rick Braun, in October 2011 issue of JazzTimes magazine, admitted what those who are in the smooth jazz business end have known for a while, notably the demise of commercial radio and its commercial music business.  He admits the good side of this is that, “there’s no pressure on…
Read more...
The Pascal Niggenkemper Trio released Urban Creatures in 2010. The CD was recorded at the Loft Koln, Germany in 2008. Niggenkemper a double bassist leads the band and is the producer
Read more...
Eugene Marlow is a remarkably busy fellow. A pianist, composer, educator, and author, among his many activities is leading the Heritage Ensemble, which performs jazz arrangements of Hebraic melodies. Most of the tracks here are new arrangements of tunes previously released on an earlier album, "Making the Music Our Own"…
Read more...
From the cartoonish cover of the CD and the name of the band, one might expect some sort of rock/jazz imitation of the Bad Plus, but that would be an error. There are elements of rock, but also of classical and folk music. This quartet's debut album consists of lush,…
Read more...
If you want to enjoy some good jazz stained with a little hint of Italian touch, and played by young musicians who are about to walk a long way, then this CD is just for you. Even 3 are jazz musicians from Sicily, playing together for five years and now…
Read more...
At fgitst, this sounds like John Moulder's session.  He carries the melody and rides the slalom-like harmonic changes with unusual sureness and grace.  But no, Larry Gray's the leader, wrote the tunes, skis the drifts with equal assurance, and has his fair shar of solo time.  Charles Heath completes the…
Read more...
After a number of recent recordings that were average at best, George Benson has released his best recording in well over a decade. Guitar Man reminds everyone that George Benson used to be considered the finest guitarist of his generation. An exceptional melodic improviser of the highest level and refinement,…
Read more...

1997 - 2013 © jazzreview.com. All rights reserved.

Top Desktop version