With inferences to metal-drenched avant-garde jazz, sounds of doom, and crazed electronica based free-jazz; Combat Astronomy's fourth album extends its bizarre, apocalyptic spin on cross-genre stylizations. With notable British experimentalists and avant-garde perpetrators shaping the crazed vistas, leader, conceptualizer, and five-string electric bassist James Huggett lays down some of the heaviest bass lines known to mankind with guerrilla tactics and calamitous sound-sculpting maneuvers. Huggett overdubs bass lines within various parts, and needless to say, envelops an ominous undercurrent throughout the broad plane of lower and upper-register tonal contrasts.