This is ethereal, contemplative music played beautifully by the unusual combination of trumpet and guitar. Kris Tiner's tone is warm and full, and unusually gentle for a young brass player. He takes the lead most of the way, but Mike Baggetta's presence is continuous. Fitting the mood of the album, the guitarist often uses long-sustain sparsely-placed notes, whether accenting Tiner's solos or soloing himself. (Classical music fans will recognize the influence of composer Morton Feldman.)
"Bobo" opens with a mournful wail strongly reminiscent of Miles' Sketches of Spain. The entire track may remind you of that album, but it's quieter and played with rhythmic freedom rather than a steady pulse. Through much of the piece, Baggetta picks a simple bass-line. During his own solo, notes above that bass line come at a leisurely one every four seconds or so. The effect is mesmerizing. It's rare to hear young musicians who know how to grab listeners without wild flurries of speed or in-your-face dynamics.